Stories/ 夷坚志/ The Red Snake in the Road

The Red Snake in the Road

李氏紅蛇

SourceYijian Zhi (Record of the Listener)
AuthorHong Mai
EraSouthern Song dynasty · 12th century
Writtenc. 1160–1200
PossessionMonsterMagic
A coiled scarlet snake in a village lane, a dishevelled barefoot woman walking through a staring crowd, and a vermilion-robed village exorcist beating a drum beside a tall banner
Illustration generated by AI, based on the ancient Chinese text.

Pan Jia of Changxi in Fuzhou had a wife, née Li, who was very pretty. She was twenty-three when she married.

Two years later she went out to the garden with her sisters-in-law and the other women, and on the path they saw a red snake coiled up and lying perfectly still. Li fixed her eyes on it and looked hard. By the time she was home she was ill.

At first she laughed and talked without measure and threw out wild, unaccountable remarks, but she still answered people when they spoke to her. Then it got worse, and she changed entirely into other shapes. Sometimes she was in heavy paint and fine clothes, new clean shoes and cap, her hair stacked with flowers. Sometimes her hair was down and she was naked — not a thread on her — going barefoot down the high road, not avoiding the mud or the thorns. People gathered in the street to look, and it made no impression on her at all.

Pan was afraid she would get herself killed. He shut her in an empty room and watched her day and night.

Then he sent for the village medium, a son of the Ma family, to hold an examination.

The medium put on a red coat and gathered some dozens of neighbours and serving-boys, rigged out like a Nuo exorcism troupe. They circled the foot of the hill where Li had gone walking, beating gongs and drums, and set up a great banner with four characters written on it. They shouted until their voices gave out, crying: burn the mountain, catch the ghost. Any snake or creeping thing they came across they caught and carried home, and poured wine and vinegar over it as an offering to the god.

At night he brought Li out, and the two of them answered each other, chant and response. The medium gathered up broken crockery and trod on it with bare feet. At first Li imitated him, and her feet were cut and bled. Then the medium heated a brick red-hot and stood on it; he brought a cauldron of water to a full boil, dipped in his hand, and put his head in it and walked around twice. Li could not do any of these.

So she drew in her arms and submitted.

The medium poured out the boiling water and made her wash her feet in it, sat her on a small stool, and took a deposition from her: her name, and a signed statement that she would not offend again. Then he detailed a man to escort it out of the gate. A hundred paces on, it fell to the ground.

Pan picked her up and got her back to her room. She knew nothing at all, and lay stupefied as if drunk. After a night and a day her wits came back somewhat, and she was deeply ashamed. It was a full twenty days before she was steady again.

When they asked her what had come over her, she could not say. She was ashamed of it, that was all.

Original classical Chinese text · 原文

福州長溪人潘甲妻李氏,顔色秀美,年二十三歲方嫁。後二年,偕娣姒衆婦出游園,見紅蛇蟠結於道上,凝然不動。注目諦觀之,還家即得疾。 初時語笑無節,雜出怪異不稽之語,然猶與人相應答。已而益甚,盡改變形態:或靚妝華服,新潔冠履,簪花滿頭;或披髮祼體,一絲不掛,跣行通衢中,泥塗荆棘皆弗避。路人聚觀疊跡,亦不動容。潘生懼其蹈死地,閉諸空室,曉夕謹視之。 招村巫馬氏子施法考驗。巫著緋衣,集隣里僕僮數十輩,如驅儺隊結束,繞李向所游處山下,鳴金擊皷,立大旗,書四字曰「青陽大畏」,展齋聲叫噪,稱燒山捉鬼。遇蛇蟲之屬則捕取以歸,沃以酒醋而享其神。 夜引李氏出,唱和時與之對。巫拾碎瓦器,赤足踐踏;李初亦效焉,足破流血。巫又煅方塼通紅,立其上;煎湯百沸,置大鑊,用手拈投;頓其頭,旋走二匝。李皆不能。遂斂臂屈伏。巫傾沸湯令濯足,坐之小椅,勒供通姓名,具狀言不敢再作孽。乃遣一介押出門,行百步許,仆於地。 潘生掖起,擁歸房,了不省人事,昏昏如醉。經一夜晝,精神稍復而極慚恥。凡兩旬始安。扣向來所遇,不能言,盖亦羞之也。

From 《李氏紅蛇》, Yijian Zhi, 丁志卷三. Translated in full. 驅儺 is the Nuo rite, the masked, drumming winter exorcism still performed in parts of southern China; the four characters on the banner — 青陽大畏 — are the exorcist's own slogan.

Source. From Yijian Zhi (Record of the Listener) (夷坚志), by Hong Mai , c. 1160–1200. The original text is in the public domain; this English rendering and the accompanying notes are original work.
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