Stories/ 夷坚志/ The Nine Young Dragons

The Nine Young Dragons

九龍廟

SourceYijian Zhi (Record of the Listener)
AuthorHong Mai
EraSouthern Song dynasty · 12th century
Writtenc. 1160–1200
DeityMoneySatireSmall Gods
A hillside pottery works with ten smoking kilns, nine cracked and producing warped vessels, one glowing with perfect wares, a new shrine with a seated old dragon flanked by nine young dragon figures
Illustration generated by AI, based on the ancient Chinese text.

The Liang family of White Dragon Valley in Tongzhou were potters, and had been potters for generations. They were very well off. They had set up ten kilns, all of them firing earthenware — and of the ten, only one produced good work. In the other nine, every time the fire was broken open and the wares drawn out, the vessels were mostly warped and crooked and out of true. Yet when they were taken to market, people competed to buy them. It was like this with every firing, and nobody could see the reason.

There was an old shrine in the valley called the White Dragon Temple — named, of course, after the valley. Its responses had long gone quiet, and the village paid it no honour.

Then Liang dreamt that the old dragon turned himself into a man and came to see him.

“I have nine sons,” he said. “They are all grown now, and they have nowhere to be. I have lodged them, one to each, beneath the kilns of your house. Whenever you have fired before this, they have exerted themselves to help you in secret.”

“Since those nine kilns were built,” said Liang, “we have never once got a single good vessel out of them. It has been on my mind constantly. What help is this you speak of?”

The dragon said: “How is it you do not understand? The wares are poor and the profit is thick. Is that not my sons’ doing?”

Then Liang started up in awe, and bowed, and thanked him.

“If you will build a temple for them,” said the dragon, “then in time to come you will receive great blessing besides.”

Liang promised, and woke. That same day he called the workmen and had the timber prepared, and raised a new shrine on the old site: an image of the old dragon seated in the centre, and nine seats ranged to east and west for his sons.

When the work was finished, the people for miles around came to know of it, and came to look and to worship, and were glad. After that, in a fierce drought, they prayed — and the rain fell without waiting for anyone to choose a day.

And Liang’s trade did better than before.

Original classical Chinese text · 原文

潼州白龍谷陶人梁氏世世以陶冶為業其家極豐腴乃立十窰皆燒瓦器唯一窰所成最善餘九所每斷火取器率窊邪不正及粥於市則人爭售之凡出盡然固莫知其所以也谷中故有祠曰白龍廟蓋因谷得名靈響寂寂不為鄉社所敬梁夢龍翁化為人來見曰吾有九子今皆長立未有攸處分寄身於汝家窰下前此陶甑時往往致力隂助於汝梁曰九窰之建初未嘗得一好器物常以為念何助之云龍曰汝一何不悟器劣而獲厚利豈非吾兒所致邪梁方竦然起拜謝龍曰汝苟能與之創廟異時又將大獲福矣許之而覺即日呼匠治材立新祠於舊址塑老龍像正中坐東西列九位以奉其子迨畢工居民遠近知會瞻禮歡悦其後以亢陽禱祈雨不擇日而降梁之生理益於昔云

From 《九龍廟》, Yijian Zhi, 甲志卷二. Translated in full.

Source. From Yijian Zhi (Record of the Listener) (夷坚志), by Hong Mai , c. 1160–1200. The original text is in the public domain; this English rendering and the accompanying notes are original work.
Where this fits in the universe: Dragons · The Small Gods · How a God Gets a Post

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